Many of his female protagonists are quite similar and what I would like to categorize as the "Verhoeven Woman". In watching Paul Verhoeven's filmography one thing, aside from the violence and sex, becomes immediately clear. It is always jarring, especially with Arnold's constant one-liners littered throughout this film also contributing to this general feeling, but somehow thoroughly appealing to watch unfold at all times. This is a mainstay quality in many Verhoeven films with the actors seemingly in on the satirical tone of the film by playing their characters less than seriously. Inherently satirical in tone and style, the acting seems surreal with it simultaneously being unconvincing and overacted. Though, it may just be a trait of Paul Verhoeven films at this point.
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An area of complaint for this film would definitely be the acting, which always a lot to be desired. It is excellent for entertainment purposes and really keeps you on edge as you try to figure out, scene-by-scene, what is really happening or what could be an implant. Total Recall walks a fine line between both options, but what is clear is the tension and paranoia this balance creates. Yet, other moments show that it is definitely not a dream with people turning against him or remembering him. It is hard to pin down what is and is not real as things seem to be too finely put together by Hauser to not be a setup and things go too closely to what he signed up for with Rekall.
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With Douglas constantly told his true identity is Carl Hauser and that this is all a dream, he has no idea how to respond and neither does the audience. Yet, what this film thrives on is paranoia. This is a world that is always available to be explored and is a fun journey to be on throughout. Every detail is accounted for, even when the plot may become a little too odd to bear. This is an incredibly fun experience as a viewer as the weaponry, sets, and the world as a whole are so intricately designed that it makes it all seem real. This is certainly part of the appeal of watching their films as around every corner is something you never imagined being in a film. From the gadgets in their films to the world they create, their films are always incredibly imaginative and demand further exploration. Yet, both share a similarity: inventiveness. Verhoeven is more tongue-in-cheek, whereas Cronenberg is more serious. Both are obsessed with constant depictions of sex and violence in their films, yet take different approaches to them. In many ways, Verhoeven reminds me of a more ambitious and unhinged version of David Cronenberg. He came to before the memory was implanted and after they had discovered he had his mind wiped due to the secrets he held from his time as a Mars Intelligence Officer that could threaten Vilos Cohaagen's (Ronny Cox) control over the air on Mars. One side can claim it was all a part of the dream, but one that he began to believe. Choosing to go to Mars and to become a secret agent, the route the film takes is ultimately up to the viewer. However, as he goes to a company called Rekall, that allows people to pay to have memories implanted in their mind, things go haywire for him. Starring Schwarzenegger as Douglas Quaid, the film shows him as a relatively normal man married to Lori (Sharon Stone). In many ways, it feels akin to Dune due to the obsession with control here on a distant planet, though in Total Recall it is air. Dick, you just know this is about to be an excellent watch.
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Pairing this with a ripped and confused Arnold Schwarzenegger and a story based upon a short story from Philip K. Loud, dumb, and obviously scripted, but since both he and the audience are in on the gag, it is fun to watch. He knows how to make objectively fun films that are essentially the cinematic equivalent of wrestling. Loud, dumb, and obviously scripted, but since both he and the The original is it a dream or not film, Total Recall is yet another science fiction classic from director Paul Verhoeven.
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The original is it a dream or not film, Total Recall is yet another science fiction classic from director Paul Verhoeven.